Mysticism and religiosity in the Nasrid court. An approximation to the Hall of the Throne of Yūsuf I in the light of the Sufism

  • Beatriz Elvira Cano Dard Universidad de Granada
Keywords: Alhambra, Nasrid art, Comares’ Hall of the Throne, Sufism, al-Gazālī

Abstract

Nasrid art presents great complexity that defines the different disciplines that were involved in its realization. In a society with particular political, economic, and religious circumstances where Sufism was established and its practice extended in a relevant way, its possible influence cannot be ignored by the way the palatial rooms were built and decorated also where it established the seat of the Throne. The symbol of power of the last rulers of al-Andalus.

Published
2022-06-29
How to Cite
Cano Dard, B. (2022). Mysticism and religiosity in the Nasrid court. An approximation to the Hall of the Throne of YÅ«suf I in the light of the Sufism. Revista Del Centro De Estudios Históricos De Granada Y Su Reino, 1(34), 63-86. Retrieved from http://www.cehgr.es/revista/index.php/cehgr/article/view/332